Board game Analysis, Carcassonne

Carcassonne is a well known board game released in the year 2000. Set in the medieval age, the players try to occupy as much of the land as possible. Roads, farms, cities and cloisters are all fought over in an attempt to come out with the most points in the end.

Objects

The main objects in Carcassonne are the terrain tiles, which are used to build the board, and the followers, which are used to gain points. Each player starts with a set amount of followers while the terrain tiles are placed face down in a common pile. Terrain tiles have one or more kinds of terrain on them which changes how the tile interacts with other objects, both followers and other tiles. The four types of terrain in the main game are cities, roads, fields and cloisters. We also played with the river expansion. The difference from the main game is that instead of starting from a predetermined tile, the players instead start by placing a river on the board, other than that nothing differs from the main game.

Your followers change depending on which of these terrains they are placed. If your follower is placed in a city it becomes a knight, if it is placed on a road it becomes a thief, if placed on a field it becomes a farmer and if it is placed in a cloister it becomes a monk.

Relationships

In Carcassonne everything is related to the tiles. When you place a tile it has to be connected to another tile. It also has to fit into that tile. I can't for example place a field so that it is attached to a city. I have to place a field so that it connects to another field. This is true for all types of terrain. Carcassonne is designed in way that it almost always is somewhere where are allowed to place a tile. The only exceptions to this that I can think of is if there are no incomplete cities, but that is very rare and there is only one card in the game that would cause it.

Tiles also relate to the followers because depending on where they are placed they become different followers, which in turn affects how they relate with the terrain they are placed on. A knight for example has no relationship with a thief. The relationship between the tiles and the followers is also what determines the points you get. If you have a knight in a city and the city gets completed you get points depending how big the city is. Thieves and roads, as well as monks and cloisters follow the same relationship. When the road or cloister is completed the player with a thief or monk in it gets points. Farmers are a bit different because they get points depending on how many completed cities are touching the field they occupy at the end of the game.

Followers and tiles are heavily related, but followers don't have much to do with each other as mentioned. No matter how a farmer is placed, it cannot affect what a thief can do or how many points it gets. Two followers of the same type however do have a relationship with each other. You can't place a knight in a city that already has a knight in it, or place a farmer in a field in which there already is a farmer. The only way to have multiple knights or farmers in the same city/field is by merging two or more separate cities/fields. If that happens the player with the most of the relevant follower get all the points. If all players involved control the same number of followers in the city/field, the points are split evenly between them.

The only follower that doesn't have any sort of relationship with another follower is the monk. Monks score points by counting the number of tiles adjacent to the cloister it resides in, including the tile the cloister sits on. Because the cloister only sits on one tile, and because you can only place followers on a tile you just placed, there is no way a monk can influence another monk. The closest two monks can get each other is by sitting in two separate cloisters adjacent to each other, but the monks still have no effect on each other.

Main mechanics

What really makes Carcassonne, Carcassonne to me is the way you draw tiles to construct the map. As stated earlier the tiles is what influences everything in Carcassonne. If you were to give Carcassonne a static map, everything that makes Carcassonne interesting disappears. Because the player are drawing random cards there is no certainty that the player will be able to complete to the city they have been building the whole game. This, combined with the finite followers the player is given, makes it an investment to place down a follower. Farmers have the potential to give the player a big amount of points if there are many complete cities around the farmer. This makes it tempting to place a farmer in a field as soon as possible, but since the player can't control what cards he or she will be given there is no certainty that there will be cities around that farmer at the end of the game. If that happens the player have effectively played with one less follower than the other players have. On the other side of the coin however, the other players may have built a bunch of cities in that field that turns into the farmer into a worthwhile investment. I think that this kind of risk and reward style is what makes Carcassonne interesting to play, especially if you want to play it multiple times, and what makes it happen is that the players draw random terrain tiles.

Although I keep talking about unpredictable Carcassonne is, there is still an element of strategy and planning involved. If the player draws a cloister and knows that another player is trying to expand a city of his, the player can place the cloister in the vicinity of the city and as the other player expands the city, the player accumulates points from his cloister next to it. There is also an element of sabotage involved. If you are able to finish another player's road, you deny them from expanding it and denying the other player points that way. Placing odd city tiles next to an incomplete city can make hard or even impossible to finish it. What all this results in is a game in which you can never be certain that you are going to win. Although you can gain a advantage by planning ahead, you are never the surefire winner of every game of Carcassonne you play. This makes it so that novices have a shot of keeping up with more experienced players, making suitable to play with less experienced friends if you are just looking to have fun. However, sometimes players go into a game of Carcassonne with different expectations which can make the game less enjoyable for some. The biggest example is if one player thinks through every move he makes, while the rest of the players just want to play for fun. This makes the game slow for most players, and the thinking player might be annoyed that he is the only one playing the game seriously.

Target group

Carcassonne is marketed at people eight years or older. That they are aiming at a younger audience can be seen in both how the game looks and how it is played. Both the box art and the tiles are used to depict a colorful variant of the medieval age. The medieval age is often portrayed as violent and bloody, but this depiction focuses on building the land that the medieval age was set in. There are no wars or battles in this game that could make parents find it unsuitable for kids. Combining this with the easy to understand rules and the random elements involved makes it a game that is easy for kids to learn and play, that also interests them with its setting. The random elements makes it so that everyone has a shot at doing well while playing, even if they're not thinking hard on the decisions they make.

The very same reasons described above is also why Carcassonne is sometimes described as a “gateway drug” into board games for people that have never played them. Because most persons are able to grasp the rules of Carcassonne by playing one or two rounds of it it is perfect for people trying to get their friends into playing board games. By playing Carcassonne for an hour or two, inexperienced board game players can experience playing and understanding a board game and in turn decide if it is something that they enjoy or not.

Summary

Carcassonne is a game built around a random draw mechanic mangages to not get overly frustrating as some games relying on random draw mechanics can get. Its lighthearted style as well as its easy to understand rules makes it easy to pick up and play for anyone. Although it isn't very complex Carcassonne still manages to make experienced players interested by challenging  them to make smart investments and manage the risks of their decisions.

Positives

• Easy to pick up, learn and understand
• Random elements keeps the game fresh and interesting, even if you've already played it before
• You can never really be sure who the winner is until you've counted all the points

Negatives

• If people play the game differently the experience can be diminished
• Random is still random. You may play the odds, but you''re never really in control

Upgrades for Everyone!

Last week I talked about the picture I made that shows how much you've upgraded your character's outfit. I only talked about the first one last week so it seems fitting to talk about the other two levels this week.

These pictures are supposed to show progression as you upgrade your character. The reason why we decided on adding these pictures is because it is hard to tell exactly what happens to your character's sprite because it is so small when you look at it when you are playing. Considering this, the number one thing I had to keep in the back of my mind when making the higher level pictures was "upgrade". If you couldn't tell from the pictures I made that you had upgraded the whole point of  the pictures was lost.

All the pictures I've made next to each other showing the progression from level one through level three

The level two upgrade was fairly straightforward. When I first started making concepts for the different outfits I quickly decided on having a scarf or something similar to show progression as it would be quite visible even from a top down perspective. With that in mind it was just a simple process of opening the level one photoshop file and start adding onto it. It was very easy because I had a clear vision of what I wanted to do and also because I had the level one photoshop with all layers separated to work with.

Current version of the level 2 sprite

The level two picture was made without causing me much trouble, the same can't be said about the level three picture. Like the previous picture, I had a good grip on what I wanted to do when I started out working on the third one. At level three the sprite in the game gets a big glove as well as some arm accessories. While it works when you look at the sprite, adding these details to the picture turned out very unremarkable. The change wasn't as noticeable as the one from level one to level two. This is were things got though.

Unlike the prep work I had for the level two sprite I didn't have any concept pictures that fit perfectly. There was some ideas from the concept stage that I considered, but nothing that really stood out as a perfect solution. In the end I ended up just drawing things and seeing what stuck. What I ended up with was a more intricate robe and a new bag. They aren't groundbreaking additions, but they help add to the feeling of progression. I haven't asked for any feedback on it yet though so we'll see if it stays as it is or if I'll have to change it.

How the level 3 picture turned out

That is all from me this week. Hope you enjoyed reading this and hopefully you'll be back next week.

Let's Talk About Something Else

At last I am free from making sprites. For now at least. Last week I made every version of the main character sprite, nine in total. If you are not sure what I mean it is as follows: In our game we have a main character. You can upgrade her clothes and weapon independently, with three levels each. This means that I had to create sprites of the main character with a first level suit and weapons one, two and three. Then do the same for both the level two suit and the level three suit. I've attached a image below showing how the main character's sprite changes if you only upgrade her weapon and not her suit.

Weapon progression from level one to level 3.

However I feel like I've talked enough about how I make these sprites and that it is time for me to talk about something else, so that is what I'm going to do.

To upgrade the character you enter a menu and select what aspect of your character you want to upgrade. To show which aspect you can upgrade and what it will change we have pictures in this menu. These pictures are not pixel art like the rest of the game. Instead they are straight up painted images me and my team members have made. We choose to it this way because none of our artists are really comfortable making large scale pixel art. It also meant that we could use any concept we made and turn it into an in game artifact.

Seeing as I had made all the things related to the main character up to this point I felt it was fitting for me to take on the responsibility to create these upgrade images. I had already made the concept art for her level one suit which meant that most of the work was already complete and all that was left was to colour it. When I first started planning this I had it in my mind that it would be fully rendered with material and lighting. My producer however was shocked by how long I estimated it to take and said that it wasn't acceptable, so I proposed to only add some flat colours and and some shadows to that which wouldn't take nearly as long. This my producer thought was more reasonable.

The steps I took to get to the final product. I think the colours are a bit off though.

In the end I'm quite happy with the result even though I only put in a couple of hours into it. There is definitely improvements to be made if I wanted to but time is becoming sparse, and I will probably not be able to implement them because there are more important things that needs to be made/improved.

Sprites again?

If you've been following this blog, you will know a fair bit about the sprites I've been making. Last week I talked about the level two sprite. The logical progression is that today I will be talking about the level three sprite, which I will.

The level three sprite was a mixed bag of obstacles. The weapon she would be using had no clear concept at all, the only thing that was set in stone was that it was supposed to be attached to the main character's arm. There was also the recurring problem of not having enough room on a 64x64 pixel big sprite to show any significant progression. What worked in my favor was that since the gun is attached to the character's arm I could use the level one sprite as a base on which the level three sprite was made. I only had to move around her arms a bit to create the pose and from there on out it was smooth sailing. You can see the similarities below.

Level three (left) compared to level one (right)

Making the gun was interesting because, as I said, I had no direction to start in. This meant that I had to experiment quite a bit. Unfortunately I have nothing to show from those experiments but there are still some remnants in the final version. The spool of thread on side was one of the first things I added. Maybe it has some interaction with the weapon or maybe she uses it while she works, since she is a tailor. The spool felt a bit too heavy on it's own, so I added a counterweight to the other side. The pipe was originally bigger, but it felt to cumbersome to be carrying around on ones wrist, so I made it smaller.

If you look at the image I've provided you can see what I've done to show the progression of the character. The scarf/blanket on her is added at level two, which I unfortunately don't have a picture of at hand. In my previous post there is a picture of the level two sprite, but it is not the most updated version. Anyways, what is added at level three is most notably a leather glove with brass clasps that covers her whole lower arm. She also has a piece of cloth attached with brass bracelets on her right arm. It is still fairly hard to tell what they are supposed to resemble, but in the game we will have some high resolution pictures which hopefully will make the player understand what everything is supposed to be.

Level Up!

Keeping with the theme I've set these past two weeks I'm going to keep talking about the different artifacts I've created related to the main character in the game me and my group is making. Last week I talked about how I made the first sprite of the main character, the level one sprite which you start out as. This week I'll talk about the level two sprite, how I made it and what challenges I faced while working on it.

After I made the level one sprite I immediately moved on to making the level two sprite. At level two the character has some more stuff on her and is carrying a gun instead of a pistol. Having a gun instead of a pistol meant that I couldn't  recycle the level one sprite to create the level two sprite. There was also a problem making the main character look stronger because the character is both top down as well as only 64x64 pixels big. The limited size of the character means that anything I add has to be fairly big, because you wouldn't be able to tell what it is supposed to be otherwise. Furthermore the only area that I'm able to add detail on is the on top of the arms, shoulders and head.

The steps I took when creating the level 2 sprite were the same as the ones I described last week when I made the level one sprite. I start out by sketching the pose and making it look anatomically correct. After that I add some flat colors, boxing in the shapes of the character. I then add a black outline around it and add some texture to the colors.

The level two picture in this post is not completely accurate as I've made some corrections to it, mainly changing the shroud on her shoulders from blue to an almost scarlet color with a golden border. The green has also been made a bit more saturated to stand out better from the background. You can see that green color in the second picture.

The second picture might be a bit confusing if you read last weeks post as it looks more like the level one sprite than a level two, or even a level three sprite. The reason is because it is a level one character, but with an upgraded gun. It is the same base as the level two sprite but I've removed the shroud and added the bag from my level one sprite.

In the end I not really pleased with how the level two sprite came out. Especially the arms I think could use some work, but at this point it is probably more important to make sure all the art assets exists instead of polishing a single artifact to perfection.

Head First Into Making Sprites

These lasts weeks I've mainly been working on the main character. Last week I discussed how I designed the main character and showed the different stages she went through during the design process. This week I'm going to talk about how I turned the concept art into the sprite that is in the game at the moment.

The sprite I'm mainly going to talk about is the level one sprite that you see when you start the game. I'm almost complete with both the level two and three sprites right now, but I think the process of making the level 1 sprite is more interesting as I had no experience making sprites when I started out.

The level one has her holding a a pistol with both her hands. The game is top down so the only things you see is the top of her head, her shoulders and her arms. Starting out I made a new 64x64 canvas in photoshop which I then sketched the the main character's pose on to. I used a small brush tool with a lower opacity for this as I didn't need to define the lines at this stage. In hindsight I should've probably started out with a bigger canvas and then scaled it down to 64x64 when I was happy with the proportions. When you are working in such a small size as 64x64 it is hard to make lines the way you want them to, which is why I think that starting out bigger would've been easier.

When I finished her pose I made a quick outline and started to put down color on her just to experiment with her color scheme. I may have done this a bit backwards as I put down the colors before I had a final outline to work with. Instead I put down the colors on top of the half-assed outline and then created the final outline by painting a darker color around the main color. E.g. to outline her green clothes, I took a darker shade of green and created a one pixel wide outline around it. At this point I was using a one pixel big pen tool in photoshop.

This technique of making an outline looked good in photoshop, but when it was put into the game it didn't provide enough contrast to stand out. To fix this I made the outline pitch black which made everything much clearer in game.

It's still not absolutely final as some group members still have some problems with the colors, but at this point I'm starting to feel I've put more than enough time on it and that my time could be better used on something that is yet to be created. That is something that I will have to speak with the rest of group about though.

Sprinting Into Pre-Alpha

At the moment we are creating games based on the concepts we did a couple of months ago. My group is creating a "defend the objective" type game where the player is tasked with defending his/her truck from waves of bandits. The most off the cuff mechanic in this game is that you are only allowed to move in a circular arc around your truck. To make sure we are going to complete the game before the course is finished we are working by using scrum, a framework designed to constantly update and iterate what you are producing. In scrum you work in sprints. Each sprint is a set amount of time in which you set out to complete goals you made at the start of the sprint.

I took on the role as lead artist again and these first couple of sprints I've mainly focused on creating the main playable character. I had a lot of freedom when designing her as we hadn't come up with any specific details that she had to have. The only directions I got was "anything is fine as long as it isn't revealing". Although there were still some contextual guidelines. Her clothes, for example, should be easy to move in and not that delicate since she is a traveler, they should however be a fairly good condition as she is a tailor.

Another challenge designing her is that in the game you are supposed to have three different levels, represented by different clothes. This means that I have to design three different outfits for her which makes things a little more complicated.

Above I've attached a couple of different concepts I sketched. To make the process of designing them faster I made a base human which I then used as a mannequin that I was able to just draw different clothes on. The one furthest to the left is the first one I did. It is a bit of a mess because I just drew whatever came to mind, but it has a lot of elements which carried over to the rest of the designs. The one in the middle is probably the sixth or something I made. I'm quite pleased with it as it shows a lot of intricacy, with different patterns and details. However it is a bit to much for a level one outfit, and as that was the one that the most important at the moment I didn't end up going with it. The last one is the final concept of her level one outfit. It isn't flashy, which is what I want, and I think it fits someone who travels about.

There are still some problems that needs to sorted out however. The biggest is that because the game is top down you aren't going to able to see any details that are not on the head or on top of the shoulders and arms, but I'll be able to overcome it.